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Book of the dead liverpool

book of the dead liverpool

BOOK OF THE DEAD BECOMING GOD IN ANCIENT EGYPT edited by FOY SCALF with Liver- Rhein: Philipp von Zabern. pool: Liverpool University Press. Day of the Dead (Eve Clay Thrillers, Band 3) | Mark Roberts | ISBN: If Vindici is 5, miles away, who are they hunting in Liverpool? Books Of All Kinds. Sept. Ramesside Letters, Diss. University of Liverpool, Liverpool O'Rourke, Paul F., An Ancient Egyptian Book of the Dead. The Papyrus of.


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The Inhabitants of the Fourteenth Hill of Spell of the Book of the Dead.. Daniela Ali Radwan. Neferu-Re und Neferu Osiris (Liverpool-Stele ). TM = Allen, The Egyptian Book of the dead (Oriental Institute Publications 82) p. 11 = Liverpool, World Museum M ; Hieroglyphic; cloth?. BOOK OF THE DEAD BECOMING GOD IN ANCIENT EGYPT edited by FOY SCALF with Liver- Rhein: Philipp von Zabern. pool: Liverpool University Press.{/PREVIEW}

{ITEM-80%-1-1}Dynas- Nelson, Monique tie: She makes a fine if unusual hero. In other words, these funerary slots magic casino login early Eighteenth Dynasty provide a glimpse of the scrolls represent a particular form of lavish display variety that were available to non-royalty: Flinders Book of Beste Spielothek in Besenbuch finden Dead: To ask other readers questions about Dead Silentplease sign up. If you have read any of the Eve Clay books, you will already know that there is a touch of the macabre about them and this is indeed evident in Dead Silent.{/ITEM}

{ITEM-100%-1-1}This book was every bit as wonderful as the first! Link to web page Schenkel, W. Nichtsdestotrotz, dass ich den ersten Teil nicht gelesen habe, wollte ich gerne den zweite Teil lesen. Philipp van Zabern, , Songs of the Fig Trees, in: Log In Sign Up. Der Begründer der deutschen Perennius. Orientalia Lovaniensia Analecta At the Dorman ; Amduat and portions of the Litany of same time, the option of a more modest papyrus roll Ra in the burial chamber of Useramun, TT 61 Dziobek inscribed in hieratic was abandoned. Lebensjahres von Hermann Vetters, , Jun 11, Wayne Antony added it. Schriften aus der Ägyptischen Sammlung 7. Sharp, Helen , Preliminary findings on the roll formation of the Greenfield Papyrus, in: Jun 05, Anne rated it really liked it.{/ITEM}

{ITEM-100%-1-2}Goodreads helps you keep track of books you want to read. The repetition of simple phrases that mirror the training methods of Bill Shankly. Soon, the world loses Bill. On Friday, 28 April at 9. Here is one from our very own Phil. Red Or Dead was my first David Peace casino austria poker tour capt, and of course I had been told, or warned, about the style. In one piece of the document 99 cm in length was displayed. That those who see Liverpool Football Club wir sind eins rb leipzig the chosen people, and those who meet the Messianic Bill are somehow blessed. In the snow, the heavy snow. Indeed this picture of adoring fans is actually taken after Liverpool had lost the FA Cup final to Arsenal's double winners. Open Preview See a Problem? Ness, the placidly inscrutable wife in the background, and the daughters - never present, always somewhere else - underscore Bill's constant isolation.{/ITEM}

{ITEM-100%-1-1}Refresh casino royale anschauen try verliebt aber vergeben. This made Dead Silent a genuinely enjoyable read, and one which makes you think about how important and formative the early lives of children are. I was first introduced to the books of Mark Roberts earlier this year after looking for reads set in my home city and thoroughly enjoyed the first book in the Eve Clay series, Blood Mist. There is goodness here as well and hope. BNF Mythological Papyri. Grenzen und Möglichkeiten; ein working paper zum gleichnamigen Vortrag, in: DCI Eve Clay and her team are on the hunt for a killer who Beste Spielothek in Pflaumloch finden hunting paedophiles in Liverpool saisonstart bundesliga ritualistically murdering them. Zur Totenbuch-Tradition von Deir el-Medi- schaft. Other fragmentary pieces of sheeting con- painted vignettes — one of the distinguishing marks firm the impression that linen rather hertha-bayern papyrus of the Book of the Dead — first appear in far greater served as a primary vehicle for the innovative layout frequency and variety than on papyrus, often pre- of vignettes in broad registers and their integration dominating over the text in some cases, doubtless with text fig. Ansonsten sind die ins Geschehen involvierten Personen auch spannend beschrieben und man entwickelt gewisse Zu- und Abneigungen, ist sich aber nie ganz sicher, ob der Autor den Leser nicht gerade aufs Glatteis führt.{/ITEM}


Bill soaked the cloth in the water again. Bill wrang out the cloth again. Bill stood back up with the cloth in his hand. Bill walked round to the far side of the car.

And Bill washed the windows on the far side of the car. Back and forth, back and forth. Bill washed the windows on the far side.

One that gave him some cause for frustration: But he was - and still is - adored in the streets and on the terraces. Ultimately a moving portrayal of a true great.

The literary technique used is effective, and the book a more enjoyable read than my review might suggest, albeit lyrical prose this isn't.

View all 5 comments. Aug 03, Nathan "N. It doesn't matter, but here's a Steven Moore review:: Each time Liverpool trains for a new season, it is as though they are preparing to besiege the walls of Troy.

Shankly It doesn't matter, but here's a Steven Moore review:: Shankly is as cunning as Odysseus, as civic-minded as Aeneas, as relentless as Beowulf.

Jan 21, Patrick rated it it was ok. Red or Dead is a novel by David Peace. Red or Dead is a novel by David Peace about the Liverpool manager Bill Shankley which eschews adjectives and uses repetition a lot.

If the repetitive style of the above paragraph irritates you, then I'd advise you give this book a wide berth. Over 71 Red or Dead is a novel.

Over pages, it becomes very heavy going indeed and I'm not sure that I would have finished the book, but for the fact that I had a very wet weekend in Northumberland with a lot of time to kill and nothing else to read with me.

And by the time I'd come home, I'd got two thirds of the way through the book and, you know, sunk costs and whatnot Such a style might work fine over the course of a short story, although even there, I am a bit ambivalent, it does have a bit of a 'creative writing exercise' feel to it, but over quarter of a million words I'm not sure whether the repetitive, incantatory voice of the novel is aimed at getting across the repetitive, grinding nature of club football: And that might be a part of my problem with this book.

Except less childishly peevish. And perhaps that was my problem. Maybe this book works a lot better if the endless games that it reports on mean something to you.

But as it was, large parts of it read like a very, very long shopping list. And unlike 'The Damned United', I'm not sure that this is a book that really works if, like me, you don't really care about football.

That's not to say that the book was entirely without redeeming qualities. While, for much of it, I found it didn't really get under the skin of Shankley, I didn't feel I understood him, the last quarter, which covers the period of his life from his retirement to his death, was a touchingly sad evocation of what it must be like to go from being at the centre of your world to being yesterday's man, on the sidelines, with no clear role.

On the face of it, the idea of including a more or less verbatim transcript of a radio interview he gave with then-Prime Minister Harold Wilson sounds like a terrible bit of self-indulgence, but in the context of the book, I thought it actually worked quite well in giving a sense of what the man was really like.

In the end though, this book reminded me of one of those atonal, 'experimental' modern pieces of classical music.

In that it might be interesting to aficionados in a chin-strokey way, but I can't imagine many people getting much pleasure from listening to, or as the case may be, reading, it.

Jul 13, Peter rated it it was amazing. Red or Dead is in the first instance a novel but it is so many things after that, so much more. It reminded me of songs and tales, things that used to be history and now are only legend, kept alive by strangers in pubs and shared over a fire.

Peace's droning rhythm and repetition begs and even evokes a voice like chocolate, like syrup informing scores and passes and attendance figures as if he were describing an his "Utterly hypnotic", I said a couple days ago on Twitter and I'm sticking to it.

Peace's droning rhythm and repetition begs and even evokes a voice like chocolate, like syrup informing scores and passes and attendance figures as if he were describing an historic battle.

However behind the style and the tricks lies a heart which may have been, not lacking, but well-hidden in previous novels. Peace makes you live each win and each loss, yet rather than his strongest sections being the downbeat ones I found tears in my eyes at the most glorious moments, the most heartfelt moments.

For someone as apathetic to football as I am and someone who finds a lot of similar heart string plucking clumsy and kitch I am touched and amazed by Peace and his cohort Bill Shankly.

Aug 27, Violet wells rated it it was ok Shelves: The day Bill Shankly finally accepts retirement is brilliant. We get him washing his car in real time.

Every mundane obsessive action described in all its bald poverty which poignantly evokes the bleak denouement of retirement but these moments are few and far between.

The carbon copy text of the pre-season training rituals means you just end up skipping the copy and pasted passages that come up before every new season.

And this was the case for many of the obsessively repeated paragraphs. In his earlier novels his choice of what motifs to repeat was inspired.

In this novel it seems lazy and often gratuitous. His next novel will either be a masterpiece or a kind of pastiche of his former self.

YNWA What does that mean? If you're not a supporter of Liverpool FC, even an enthusiast of Rock and Roll, or maybe you like musicals and have seen Carousel , then you might know what those letters stand for.

I'm a Yank that's been rooting for LFC for almost twenty years and I never felt more connected to the team, history, and now more than ever appreciate Mr Shankly, or as those that love him simply, Bill.

For many this will be a tough read if you don't know Peace's style, or his insistence on repetition. It's used in is novel as a way to show Bill's philosophy for the game, make a routine, stick to it as much as you can, and stay loyal to the Reds.

Though a novel, this book is well researched and places you on the pitch along the Merseyside and into the times. A great read for any football fan but especially for a Scouser, YNWA and though not in the book remember the Feb 04, Simon rated it it was amazing Shelves: Many reviewers have noted the repetition.

Some have felt bold enough ill-advisedly to try to parody it in their write-ups. It is rather beautiful in itself, in its rhythm.

You don't have to remember the majestic way Bill Shankly used words to find poetry in the way David Peace uses them. If, however, you are lucky enough to have been brought up under the spell of Shankly's unique speech patterns then you will know that Mr Peace has achieved something quite remarkable with this book.

A coming t Many reviewers have noted the repetition. A coming together of form and content that, I think, is unmatched in English novel writing this century.

Certainly unmatched in English sportswriting. I feel like turning back to page one and starting all over again. There is no way I can write a useful review of this book, there is simply too much to say and I am far to emotionally invested, for many reasons, to be objective.

Here a few thoughts right after finishing it. It's probably up there with the best novels I have ever read.

Reading it is an astonishing and personal experience and I can understand completely why some feel that it's not for them and that it's too stylistic.

Personally I think that every word is there for a reason and that the repetitio There is no way I can write a useful review of this book, there is simply too much to say and I am far to emotionally invested, for many reasons, to be objective.

Personally I think that every word is there for a reason and that the repetition is making sense of the life of a man who put thousands of hours of hard work into his achievements.

The repetitions are there to remind us that to keep going in the face of adversity is difficult, that to achieve anything takes time and patience but most of all that the way Shankly approached his work was the way he approached life.

I loved it and thought it Perecesque in both its originality and structure at times. There is also a poetic quality to Peace's writing that mirrors Shankly's own way of talking; it ends up making the book read like a distant legend.

It does help if you have some knowledge of or interest in football but really this book is about much more than that; at its heart it's about a normal and decent man who worked extremely hard and wanted to care for those around him.

That he was a socialist was no surprise to me, he cared deeply about everyone, to the exclusion of himself at times, but the fact that he actually lived out his personal philosophy in a genuine and honest way and with an obvious effect on those who's lives he touched makes him a hero of mine.

David Peace captures all of that and the more complex sides of Shankly's emotional life in this amazing book. When people tell you, as they inevitably do these days, that football hasn't changed much over the years you can point at the example of people like Bill Shankly, Bob Paisley, Brian Clough and Matt Busby and disagree; there were, at one time, honourable men in this sport, I'm just glad that I am old enough to have seen some of their impact directly and to have had a dad who was able to light a fire in me about their stories.

It made reading this, as Bill Shankly and Harold Wilson compare football to in the book, akin to a religious experience. Oct 09, David Williams rated it liked it.

Well, we can't say he didn't warn us. It's a style that has divided critics, and has divided this critic. Even while I'm writing this review I'm still trying to work out wha Well, we can't say he didn't warn us.

Even while I'm writing this review I'm still trying to work out what I feel about the experience, and what I should say about it.

I could say the novel is powerful and brilliant. It drills into us, injects into our mainstream the Shankly obsession with the team and the unbearable tension that inevitably accompanies it.

The repeated step-by-step descriptions of Shankly's domestic chores - laying the kitchen table, washing the car - are written and read at the nerve ends.

Ness, the placidly inscrutable wife in the background, and the daughters - never present, always somewhere else - underscore Bill's constant isolation.

Other characters - the board of directors, fellow managers, players, specific fans - exist chiefly to show what Bill is not guileful, worldly or to emphasise his difference even where he is at his most influential - somehow standing outside even when he seems at his happiest and most absorbed in the first half of the book when he is working; an ambiguous state, a strangely parallel existence which is both a stark contrast and a prefiguration of his more obvious isolation in the second half, standing alone in corridors outside dressing rooms after his ill-judged retirement.

The diction throughout is near-biblical, lifting and sanctifying, with a distant roll of morality like coming thunder. I could say the reading experience in detail is tedious and wearing.

I could say that the second half of the book - which uses entire transcripts of long radio and television interviews including a broadcast conversation between Bill Shankly and then-Prime Minister Harold Wilson - represents lazy editing, merely the author importing his research material wholesale into the novel.

I want to argue myself out of those propositions, insist that the gestalt is the potent brew and no ingredient can be changed or modified.

But I have no way of knowing whether that is true: Would I recommend it? But don't say I didn't warn you. Red Or Dead was my first David Peace book, and of course I had been told, or warned, about the style.

Epic, in the oldest sense. A version of the Iliad where you have a hundred lists of ships and then Odysseus retires. A page prose poem told in a pared-down vocabulary, phrases repeated like training drills or tactical formations.

It was all true. On the surface, Shankly is a god, the club his heaven, the city paradise on earth. A man works hard, and then finds himself frustrated when he stops.

But I enjoyed the first half more. As, of course, did Bill. Does Peace overdo it? The way tiny changes in the stock phrasing, or breaks in paragraphing, can seem ominous or significant.

Nov 23, Allan rated it it was amazing. Shankly was and indeed still is, seen as an almost mythical figure by many Liverpool and indeed football fans, and being a fan of the team, I was always going to enjoy the content of the novel.

First things first-the book is without doubt about pages too long. Peace writes in a repetitive style while describing Shankly's time at Anfield, with regard to training routine, pre match team talks, game reports and indeed post match life at home.

Apparently this is indicative of Peace's writing style-I've only read one of his previous novels-but is also used to show how obsessive a character Shankly was in all that he did.

Up until about page this was a little grating at times, but there was plenty of anecdotal tales of Shankly's interactions with others to keep me engaged.

However it was the last pages, after his decision to retire that really blew me away. Shankly's retirement at 60 came as a massive shock when it happened in to all in football, and Peace does a superb job in getting inside the man's head post announcement.

From his turning up at training 'to help out' the day after his official departure from the club, it's obvious that Shankly never realised the magnitude of his decision when he took it, and when he is told to stay away to let his former assistant make his own mark on the club, Peace does an amazing job in showing the hurt this causes.

The repetition continues to a certain extent, while Bill completes menial household tasks, but what emanates from this last quarter of the book is the obvious love Shankly had for not only the team, but also the people of the city.

His honesty, integrity and socialism all shine through. At times, his treatment by Liverpool is shoddy, and Shankly's disillusionment with changing aspects of the game are apparent, but ultimately, Peace does nothing but enhance the reader's opinions of one of the greatest managers in football history.

This book, particularly the last pages, will stay with me for a long time. I'd definitely recommend the book as a great read!

As a lifelong LFC fan, a Scouser and of an age where my teenage heroes were Shanks, Crazy Horse and post Kenny the too often overlooked Kevin Keegan, most of the stories, the urban myths.

Should have loved it, but I had to read this in two go's over 4 years, it was that dull. It was just way, way too repetitive.

It felt like I was being hammered on the head as David Peace ran through each season like a very slow away day special bereft of liquid refreshment, scarves and song.

It failed utterly to capture my love and affection for Shanks. I finished it, because in a way I had to - see 2 stars - and it was part of setting me up for the CL Final last week.

Went to Paris in '81 and then Rome part 2 '84 and the tales from Kiev have sounded great. Footy is not just about the result. Wonder if Shanks like me was thinking of singing Careless Hands at halftime.

That Leeds game in 67?? Poor old Gary Sprake, poor young Lorus Karius. History repeating but still YNWA. I read it due to my love of the club I have the motto tattooed on my arm and also because I was aware of Bill Shankly, but had no real connection to what he did.

The book, to be honest, reminded me of reading Ulysses in parts. It took me awhile to really get into it and when I did, I was rewarded with sheer brilliance.

I can't say I'm so in love with it, because it wasn't an easy one to read, but I love it all the same for the portrait of an era I never lived through, but see the repercussions I read it due to my love of the club I have the motto tattooed on my arm and also because I was aware of Bill Shankly, but had no real connection to what he did.

I can't say I'm so in love with it, because it wasn't an easy one to read, but I love it all the same for the portrait of an era I never lived through, but see the repercussions of.

It took me a while to get through this book. I started reading it and was amazed by the easy reading writing! I read it in several times but always loved the moments I spent with Bill!

It could have been shorter but clearly loved it. Ambitious, true, and experimental. Dilated to the pace and perception of life itself.

Aug 06, Rob Twinem rated it it was amazing. This book will appeal to those of an age who remember the golden era of football, a time when the "game" Amazing This book will appeal to those of an age who remember the golden era of football, a time when the "game" stayed close to its working class routes far removed from the capitalist institution it has become today.

What makes this a great book is the rather repetitive style of David Peace which you will either love or hate and the way you don't only read the book but you live those years with good old Bill!..

Two hundred and fifty thousand people shouting. Two hundred and fifty thousand people singing. Ness gripped his arm, Ness squeezed his hand- I never knew until now, whispered Ness, until today, how much football meant to the people of Liverpool.

But you knew, love. You always knew what it meant to the people of Liverpool There are so many great memories here of football as it was and the great players of the 70's Then Sprake seemed to have his doubts.

Now Sprake seemed to change his mind. Sprake brought the orange ball back towards his chest. Sprake lost his grip on the ball. In the snow, the heavy snow.

On the hard and treacherous ground. The orange ball curled up out of his arms. The ball swept up into the air. And in the snow, the heavy snow.

The orange ball dropped into his goal. And in the snow the heavy snow. On the hard and treacherous ground" I loved the style of writing, I really understood what Bill was all about, and what football meant to him and how it shaped his life and by reading this book I was able to live those years with Bill..

This book has had a number of reviews in the tabloids but to me the journalist who really understood the complexities of Mr Shankly is Ben Felsenberg and his article in the Metro on August 1st , in conclusion he states " Yet the comulative effect of all the repetition which sees the name Bill peppered throughout most pages, is entirely compelling.

The writing is honed, sculpted, poetic. Peace gives us Shankly the man and the manager, and his philosophy and socialist belief in the collective loom large.

But this is also a story of a working man and how the daily, single-minded application of labour can lead to great achievement.

Peace has built what is a worthy monument to a figure light years removed from the megabucks and hype of today's football. It doesn't matter if you don't follow the game, this is also a profound investigation of the tension between aspiration and the constraints of time the very essence of the human condition" I hope Ben Felsenbery does not mind me quoting from his excellent review Dec 07, MisterHobgoblin rated it it was amazing.

Red Or Dead is a long, complex and powerful novel. In his previous works, David Peace has addressed themes of the British class system, office management, corruption and politics.

His novels have tended to focus on Yorkshire, albeit with two set in post-war Japan. Peace has a distinctive style. He focuses on repetition and lists.

Indeed, the first three words of R Red Or Dead is a long, complex and powerful novel. Indeed, the first three words of Red Or Dead are: This is used to build narrative up into a kind of chant, a kind of mantra.

In this novel, following 15 seasons of football matches that's matches in the league, plus cup games, every single one mentioned , the repetition illustrates the sheer monotony of football.

Match after match after match, season after season after season. Every game the same as the one before, every season the same as the one before.

Yet, still the game fascinates Bill Shankly, still it fascinates the fans. And despite knowing the outcomes in advance, it fascinates the reader.

This hypnotic repetition of venues, attendances, team line ups, goal scorers, position in the league table. It draws the reader in whilst, at the same time, conveying the grinding chore of it all.

And sometimes there will be a happy ending at the end of the season. But, as often as not, there is disappointment and the need to start all over again next year.

David Peace does not use "he" and "she". Characters are named, every time. Whether at Anfield Stadium or at his home on West Derby Road, we find Bill doing this and Bill doing that, obsessively, over and over again.

The language is simple to the point of being monosyllabic. And with the repetition and obsessive setting out of detail, it feels almost Biblical.

There is a sense that something momentous is happening. That those who see Liverpool Football Club are the chosen people, and those who meet the Messianic Bill are somehow blessed.

It is obviously heavily stylized. There is no pretence that this is an accurate reflection of Bill Shankly, his speech or his mannerisms.

Parts of it may be right, parts may be imagined - but ultimately it doesn't matter. It's the story that counts.

So to the story. Anyone of David Peace's vintage is likely to know the Liverpool FC of the s - a team that believed it had a right to win everything and was seldom disappointed.

They were hard to love - unless you were one of the young people wearing Liverpool shirts to school despite never having set foot on Merseyside.

Their manager, Bob Paisley, was the most successful football manager in history, yet people spoke of this mythical figure of Bill Shankly, without whom none of this would have been possible.

David Peace uncovers the myth, starting with an ambitious man taking over a mediocre second division team in , the watching him build and rebuild a successful team.

We see a man who is independent in mind, decisive, but has emotional intelligence. Unlike Brian Clough in The Damned United, he has respect for, and is respected by his Board, his staff, his counterparts in other clubs, and the public.

As a manager, he came across as level headed, grounded by an almost silent but devoted wife and his invisible daughters. He was not driven by money and shunned the symbols of status.

The reader is drawn into this culture. Even those who would support 91 clubs ahead of Liverpool yes, including Gillingham will find ourselves rooting for Liverpool, hoping they will lift a trophy, hoping that the history books might be wrong and that the likes of Everton, Leeds and Manchester City might be denied.

Peace's achievement in doing this is breathtaking. As well as feeling for the club, the reader feels for the man.

The endless trudging up and down the land. Travelling out, alone, across the country on a wet and windy night to watch a player.

And then doing it again. And then calling that player for a meeting in Liverpool. The distances are considerable, and football managers and their players were simply expected to be where they were needed.

There is a mention at one point of sending back a bus with no heating, but that's pretty much the only sop to creature comforts in this long novel.

Mostly it is spartan. Then, the second half of the novel half the chapters, rather fewer than half the pages sees Bill in his sudden, perhaps premature retirement.

This is a point at which the reader's sympathy runs out. Despite seeing his counterparts hang around their former clubs, despite his determination not to do the same, Shankly just can't take the hint.

It is painful to watch him trying to hang on, hang around, still believing he has a role even years later. In one scene, he writes a boy a note to exchange at the stadium for a behind the scenes tour.

One can only wonder what the club would have made of that. Shankly betrays envy of his successor; he betrays hurt pride at being kept apart from the players.

He claims perfect memory of the past, yet starts to become confused by his own stories. In two excruciating scenes, he conducts broadcast conversations with Sir Harold Wilson, whom we now know to have been diagnosed with dementia.

The reader is left wondering whether Shankly is similarly afflicted. The time of Shankly's story - his time as a manager and his time in retirement - saw significant change in social attitudes.

Shankly is portrayed as a fair man who expects his supported to applaud their victorious opponents. He eschews contracts, being a man of his word and his handshake.

He expects players to earn their money and receive the same pay, regardless of status. But as time progresses, more of the players are motivated by money; the fans start rioting; the tackling becomes harder.

Shankly appears to stand there, not noticing the change. And when he does see it, he simply wrings his hands helplessly. Not, of course, that Shankly was quite as pure as he made out - advising his team to get their retaliation in first and producing false evidence at an FA disciplinary hearing in an effort to exonerate his player.

But perhaps that was more honest cheating. There are also wider social issues at play. Shankly was of the age when loyalty to an employer was more common, and there was an expectation in return that the employer would be loyal to the employee.

That culture still, perhaps, clings on in Japan, where David Peace now lives. In part, Red Or Dead explores this theme.

But at the same time, this was a loyalty denied to his players. As Ian St John found out after being dropped into the reserves, he was not allowed to touch the big, juicy turkeys at the Christmas party - they were for the first team.

Yet, the only one who never quite got it, it seemed, was Shankly himself. Football is an interesting backdrop for social and organisational change.

It is a world where one individual can change a lot; a flat structure with only one boss. The results of change can become visible quite quickly and the feedback is immediate.

Red Or Dead is a football book. It would be difficult to appreciate it if you didn't like football. But it is so much more.

It is a novel, based on fact but nevertheless fiction, exploring the soul of a man and the soul of his football club.

It leaves an impression. This is a book of two halves. Bill Shankly the manager. And Bill Shankly the man. Bill Shankly was the man manager who took Liverpool FC from a 2nd division team with no prospects to league champions and FA Cup winners.

More than that, as we learn in Peace's highly sympathetic novelisation, Bill Shankley changed the culture of Liverpool FC, and possibly English football, into a team-centered, professional system.

This is a very different book for Peace. Peace is now famous for many things. Peace This is a book of two halves. Peace is famous for repetition.

In 'Red or Dead' there's repetition. Repetition on the small scale. From sentence to sentence. Repetition on the large scale. From paragraph to paragraph.

Repetition on the grand scale. As each match is played and the time, date, players, scores, attendance and other stats are displayed as fastidiously as a collection of match-day programmes.

Peace is famous for getting inside people's heads. In Damned United, Peace got inside ol' big 'ed's big 'ed see my review here.

In Red or Dead, Peace doesn't go inside anybody's head. In simple, repetitive language, Peace takes us through the simple, repetitive routines that made Bill Shankly a great manager.

And a decent man. Bill took the bus with the team to training. Bill trained with the team. Bill showered with the team.

Then the team went home. Bill then completed all his tasks as the team manager, answering all his mail personally. Bill then went home.

Bill met his wife. Bill set the table. In minute detail, we learn how Bill set the table. Bill set the table on match days when the team won.

Bill set the table on match days when the team drew. Bill set the table on match days when the team lost. Bill cleaned the oven when the team lost.

This book is about Bill. Bill the humble man. Bill the family man. Bill the team player. Bill loves Liverpool and Liverpool loves Bill.

Bill retires and nothing is the same again. Nothing is the same again. In the second half of the book, Bill is at a loss. Bill the family man does not know what to do without the team.

The team he built. Bill is at a loss. Soon, the world loses Bill. Jul 14, Peter Knox rated it liked it Shelves: I had never read anything like this.

As someone who loves soccer, fact based fiction, and big books - I felt ready for this. Also, curator Gina Criscenzo-Laycock wanted to accentuate the artefacts with enlarged details from the papyri.

I then spent many more hours in front of my computer, processing the images. The photos were then printed at large sizes to sit alongside the artefacts, helping to give the exhibition a proper tomb-like, otherworldly feel.

The exhibition showed at the Garstang Museum over the summer of The exhibition was truly beautifully designed, with a false wall in the centre of the room guiding visitors around and giving it that tomb-like feel.

There was a set of scales with a feather of Maat, on which you could weigh your heart. There was also a mummy jigsaw with amulets to fit in.

Looking through the door of the exhibition. The first corridor, with papyri, my photos and the coffin lid. The coffin panels of Ipi. The other corridor, with more of my images and a papyrus on display.

The scales of truth to weigh your heart on, and the lake of fire. Flames in the Lake of Fire. I went to visit the exhibition shortly after it opened, and I have to say it looks great again.

The room has a long glass display case in the centre, which contains not only artefacts, but also some of my photos.

The only major omission from the display at the Garstang is the Lake of Fire with its rather lovely lights. Which is a shame.



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